By: Emerson Callejas Tapia
Mr.
Viscarra accomplishes something which very few
writers do.
He has a style combining accuracy, liveliness, quiet, rawness and tenderness,
qualities which do not often go together.
I think
Viscarra's narrative... succeds admirably, in part because he, like Samuel
Beckett, recognizes the comic possibilities inherent in the tailspin of logic
toward the absurd. The many characters are ethereally real. He has you
hipnotized from the beggining 'till the end.
You believe
that people really are like the people he writes about and draws. And looking
back on it, you see no reason to change your mind.They are.
Relatos de
Vitor Hugo was published originally only in Cochabamba (a departament in
Bolivia) in 1.996 at the time didn't have drawings such as this renewed second
edition, (Editorial Tercera Piel, 2.005) the drawings and the cover art belongs
to Mr. Pablo Gozalves and a prologue from Virginia Aillon.
Also, as a
kind of bonus track, let's say, includes a new version of the old tale;
Recuerdo perdido en el deseo (Lost memory in-to desire), renamed as; Anoche en
un putero (Last night in a whorehouse) which was acted twice by the known
Bolivian actor Jorge Ortiz, fully naked.
The cover
you see belongs to the second renewed edition by Viscarra himself, it has
fifteen short stories including the new version I mentioned, which along the
drawings are the perfect chemical mix; titles such as; Habia una vez...un niño,
Yo casto, Busco a un amigo and La frontera.